When Banana Fishes Meet
Production Designer
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
Worked as Production Designer, Art Director, and Set Dresser
A House on the Hill - Whistling Woods International
PRODUCTION DESIGNER
SET UP 1 OUT OF 12. INTERIOR OF A HILLY HOUSE STUDIO SET. - Designed this interior with realistic dimensions, claustrophobic elements, and depth, based on the script.
SET UP 1 OUT OF 12. INTERIOR OF A HILLY HOUSE STUDIO SET. - Designed this interior with realistic dimensions, claustrophobic elements, and depth, based on the script.
SET UP 1 OUT OF 12. INTERIOR OF A HILLY HOUSE STUDIO SET. - Designed this interior with realistic dimensions, claustrophobic elements, and depth, based on the script.
SET UP 1 OUT OF 12. INTERIOR OF A HILLY HOUSE STUDIO SET. - Designed this interior with realistic dimensions, claustrophobic elements, and depth, based on the script.
SET UP 1 - INTERIOR OF A HILLY HOUSE - STUDIO SET. - Created floor plans, visualization sketches, and executed set construction and set dressing using various materials.
SET UP 1 - INTERIOR OF A HILLY HOUSE - STUDIO SET. - Created floor plans, visualization sketches, and executed set construction and set dressing using various materials.
SET UP 1 - INTERIOR OF A HILLY HOUSE - STUDIO SET. - Created floor plans, visualization sketches, and executed set construction and set dressing using various materials.
SET UP 1 - INTERIOR OF A HILLY HOUSE - STUDIO SET. - Created floor plans, visualization sketches, and executed set construction and set dressing using various materials.
SET UP 2 - GIFT SHOP - LOCATION SET. - Designed Himalayan gift shop with optimal use of space, ceiling grid, black tiles, and glass doors. - Set dressign was done with 422 props to achieve the intended aesthetics of a hillside gift shop.
SET UP 2 - GIFT SHOP - LOCATION SET. - Designed Himalayan gift shop with optimal use of space, ceiling grid, black tiles, and glass doors. - Set dressign was done with 422 props to achieve the intended aesthetics of a hillside gift shop.
SET UP 2 - GIFT SHOP - LOCATION SET. - Designed Himalayan gift shop with optimal use of space, ceiling grid, black tiles, and glass doors. - Set dressign was done with 422 props to achieve the intended aesthetics of a hillside gift shop.
SET UP 2 - GIFT SHOP - LOCATION SET. - Designed Himalayan gift shop with optimal use of space, ceiling grid, black tiles, and glass doors. - Set dressign was done with 422 props to achieve the intended aesthetics of a hillside gift shop.
SET UP 3 - DINER - LOCATION SET. - Utilized a section of the bungalow, originally featuring white walls, and converted it into a captivating Diner area by incorporating dark green wallpaper on the walls and complementing set dressing.
SET UP 3 - DINER - LOCATION SET. - Utilized a section of the bungalow, originally featuring white walls, and converted it into a captivating Diner area by incorporating dark green wallpaper on the walls and complementing set dressing.
SET UP 3 - DINER - LOCATION SET. - Utilized a section of the bungalow, originally featuring white walls, and converted it into a captivating Diner area by incorporating dark green wallpaper on the walls and complementing set dressing.
SET UP 4 - A STOUT TREE - OUTDOOR. - CREATED A TREE FROM A BARK BY ATTACHING THE BRANCHES FROM THE SAME SPECIES.
SET UP 4 - A STOUT TREE - OUTDOOR. - CREATED A TREE FROM A BARK BY ATTACHING THE BRANCHES FROM THE SAME SPECIES.
SET UP 4 - A STOUT TREE - OUTDOOR. - CREATED A TREE FROM A BARK BY ATTACHING THE BRANCHES FROM THE SAME SPECIES.
SET UP 5 - DINER - LOCATION SET. - Utilized a section of the bungalow with the arch enclosing the kitchen space to highlight and compartmentalize the emotions of the characters in it.
SET UP 5 - DINER - LOCATION SET. - Utilized a section of the bungalow with the arch enclosing the kitchen space to highlight and compartmentalize the emotions of the characters in it.
Process.
Process.
Haunting Supermodels - Fashion Graduation Film
PRODUCTION DESIGNER
Screen Grabs and Set Photos
Screen Grabs and Set Photos
For my inaugural Fashion Film, I centered my production design on the Fashion Designer's Garments, setting it apart from other short films. I skillfully infused a sense of glamour, while also being mindful of creating an ambience with low light.
For my inaugural Fashion Film, I centered my production design on the Fashion Designer's Garments, setting it apart from other short films. I skillfully infused a sense of glamour, while also being mindful of creating an ambience with low light.
For my inaugural Fashion Film, I centered my production design on the Fashion Designer's Garments, setting it apart from other short films. I skillfully infused a sense of glamour, while also being mindful of creating an ambience with low light.
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Process - Dealing with fabrics as a part of set decor was a challenging and a new learning experience.
Process - Dealing with fabrics as a part of set decor was a challenging and a new learning experience.
Screen Grabs and Set Photos
Process - Dealing with fabrics as a part of set decor was a challenging and a new learning experience.
Process - Dealing with fabrics as a part of set decor was a challenging and a new learning experience.
Marzi - Mise en scene Set
PRODUCTION DESIGNER
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Ghosla - Mise en scene Set
Production Designer
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Ojhal - Mise en scene Set
Production Designer
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Screen Grabs and Set Photos
Escape
Production Designer
A Blind Date
Production Designer
Lifafe
Production Designer
Sikkim - Miniature Set
Set visualisation and construction head
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Set Photos
Process
Process
Process
Process
Process
Process
Process
Process
Process
Process
Process
A Gothic Church - Set on Sounstage.
SET CONSTRUCTION HEAD, VISUALISATION, Assistant director, Light console controller
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
This was my first set on soundstage where I learnt multiple aspects of visualisation, art direction and set dressing inside a studio.
Process
Process
Process
Process
Process
Process
Process
Process
Other Photos
Other Photos
Other Photos
Other Photos
Other Photos
Other Photos
Reyhoon Rastooran
SET CONSTRUCTION HEAD, VISUALISATION
As the Set Construction head, I was involved in visualisation to be able to translate it to a floor plan of area 48'x34'. Applied knowledge of water leveling, platform construction and modified the visualisation based on challenges faced while constructing.
As the Set Construction head, I was involved in visualisation to be able to translate it to a floor plan of area 48'x34'. Applied knowledge of water leveling, platform construction and modified the visualisation based on challenges faced while constructing.
As the Set Construction head, I was involved in visualisation to be able to translate it to a floor plan of area 48'x34'. Applied knowledge of water leveling, platform construction and modified the visualisation based on challenges faced while constructing.
As the Set Construction head, I was involved in visualisation to be able to translate it to a floor plan of area 48'x34'. Applied knowledge of water leveling, platform construction and modified the visualisation based on challenges faced while constructing.
As the Set Construction head, I was involved in visualisation to be able to translate it to a floor plan of area 48'x34'. Applied knowledge of water leveling, platform construction and modified the visualisation based on challenges faced while constructing.
Process
Process
Process
Process
Process
Process
Process
Process
Process